In any profession, having contacts can help you succeed. Yet most of us don’t start off knowing anyone who can help us get our editing careers off the ground.
I’ve often said, “It isn’t who you know, it’s who you get to know.” What I mean is just that: with attention and effort, you can connect with another freelancer who might refer a potential client to you or meet an editor at a publishing company who wants you to develop some projects in her pipeline or befriend an indie author who’ll send four books a year your way.
But what does “with attention and effort” mean, exactly? It means use the opportunities that arise in your life and your work to connect with members of the community of writers and editors. That’s all.
You already read books and blogs, right? So this is just a matter of extending your involvement to joining editors’ groups, attending conferences, and otherwise connecting with the people who can make a difference in your career. [emember_protected for =2]
And by “connecting” I don’t mean “spamming with information about your services.” I mean getting to know people, helping them out when you can, asking for help when you need. Editors’ groups are an obvious way to make these kinds of connections, but you can also make them in writers’ groups (where you might find indie author clients or at least learn more about the struggles and concerns of indie authors, which will help you in your work).
I like the Editorial Freelancers Association, which has some active local chapters, and Editors’ Association of Earth, a Facebook group (mostly copy editors but since the membership fee is zero, it can still be a worthwhile investment for developmental editors).
Conferences are a good way of meeting colleagues face-to-face, though it’s important to realize that most of the time you’re not going to walk away from one with a bunch of new clients. The connection with colleagues is the important thing. Not only might you learn new skills or develop stronger business savvy, but you could also get referrals from those colleagues (and don’t forget to do the same: if a potential client approaches you with a project not in your bailiwick, refer that person to one of your editor colleagues).
Remember that the world of publishing is fluid: I’ve been a writer, an agent, a book development editor, an acquisitions editor, and now I teach developmental editing. This happens all the time: editors become agents, writers become editors, etc. You never know what the next step of someone’s career will be.
Keep it simple by extending what you already do. If you’re already on Twitter, follow other editors, publishing company connections, indie authors. If you prefer meeting people face-to-face, check out a Chamber of Commerce meeting, or go to a local chapter meeting of a writer/editor organization. If you like to take classes, ask the instructor if s/he can facilitate a way for the students to exchange contact/social media information in order to keep in touch.
In other words, make networking part of your life, not some separate to-do item that you’ll never get around to doing. [/emember_protected]
More from Club Ed
Evolution of a Novel and How to Edit Query Letters, Synopses, Elevator Pitches and more have been added to the roster of self-paced classes (go however fast or slow you want). Learn more here.
And don’t forget to sign up for the Club Ed newsletter to learn about new classes, opportunities, and special deals.
Plus: The Club Ed Guide to Starting and Running a Profitable Freelance Editing Business is now available!