Recently, a developmental editor colleague expressed some frustration around working with indie authors. She had three main areas of concern, and I’m going to address each of these in a blog post. They are all very common concerns. Here’s the first, in her words: “The responsibility. Having someone pay me (hopefully) good money to take…
It happened again this week: a writer got in touch with me, told me some information about their book, and asked for some guidance about next steps. This is a very common ask, and I have a boilerplate email I use in response. If I got more of these types of emails I might have…
I’m frequently asked for help by editors trying to get established as freelancers. Not surprisingly, many people want to know how to get editorial projects from publishers, as obviously this could be a good source of ongoing work. So when I received the following question, at first I thought of it as a “how to…
Many self-publishing authors look for beta readers to give them perspective on their novels before they go to a professional editor for further help. An author doesn’t need a developmental editor to say the whole storyline is implausible and they yawned from beginning to end. Any reader of fiction can probably relay that information. Doing…
One of the most common questions I’m asked is how to get clients, so what follows is my basic theory of how not to starve to death as a freelancer. If you have little or no actual developmental editing experience, then doing a few projects in exchange for something like a testimonial or whatever might…
I think of coaching as anything that helps a writer write their book, improve their book, sell their book, or otherwise advance their writing career but which isn’t a straightforward edit on a complete manuscript. In other words, if I help an author write a query letter, or brainstorm solutions to plot problems, or review…
I often encourage freelance editors to work with corporate clients, such as book publishers and packagers, in order to provide a more stable workflow and better-paying work. Indie authors may be great fun to work with, but one author typically won’t come to you ten or fifteen times a year with more work, the way…
I’ve worked with a number of book publisher and book packager clients over the years and I’ve found a few basic rules help ensure that I complete each project satisfactorily. You may find them helpful, too. #1. Understand your role. If an author has asked whether the plot entertains you and you tell them they…
Editors often want to freelance for book publishers and packagers as a way to have reliable clients who provide ongoing work. But there are some differences in working directly for the client (as with an indie author) and working for a publisher. When I’m doing a developmental edit for a book publisher, I usually have…
Finding clients as a newer editor is a challenge. Where do you start? I suggest you begin by asking yourself a few questions. Decide Who You Are as an Editor What is your purpose? Mine is to help women find a way to tell their stories. What kinds of clients does your purpose suggest you…