How fast can you edit?
A burning question for editors – how fast can you edit?
There is a limit to how fast you can edit.
Editors often ask me how they can edit faster. Some even boast that they’ve found techniques that allow them to go 15% faster! Or 25% faster!
And . . . okay. I get it; the faster you edit, the more editing you can do and therefore the more money you can make.
When you’re a newer editor, it definitely takes you longer than when you’re more experienced. After all my years of working with authors, I can spot head-hopping immediately; a newer editor may have to consciously scan for it. So I understand the desire to get better, and therefore faster, at the work.
And certainly I’m a big fan of automating the parts of the process that a macro or specialized software can do more consistently and faster than a person can. I mean, I love find + replace for hunting down extra spaces after periods and between words. If I had to find all those myself it would take ages and I’d probably miss a few.
But. You are not a machine. If a machine can do what you do, then a machine WILL do what you do and you’ll be out of a job.
There is a limit to how fast you can edit (whether developmental editing, line editing, or copyediting) and still do good work. I’m talking about work that requires the knowledge and judgment of a human. Editing takes as long as it takes.
So stop focusing on the question of how fast can you edit.
What we need to do is charge enough to cover how long it takes. That’s hard, so editors often think going faster would be easier. But at some point you’ll hit that wall where you just can’t go faster and still produce good work. Instead of splatting against that wall, I urge you to step back a bit and commit to doing the hard work of charging what you’re worth.
Other Helpful Content
-
Setting problems: lack of concrete locations
Writers often use setting like a painted backdrop to their stories, rather than as an integral element of their storytelling. As developmental editors, we can help them make the setting come to life. If we think of Wuthering Heights, we think of the Yorkshire moors. When we think of Moby Dick, it’s a whaler on
-
How Setting Can Reflect Character
Authors have a tendency to prefer focusing on character and/or plot at the expense of setting/world-building. (The exception is some SFF writers, who focus on setting and forget about plot and character.) So as editors we will often call that out and say something like, “Add a little description here. Otherwise it’s like Miles and
-
How to Identify Developmental Problems
Noticing a developmental problem (the pacing is slow, the character is inconsistently portrayed) is only the first step in the editing process. The next step is to explain why it’s a problem for this manuscript. This second step is one that most editors skip at first (and many editors skip forever) but it’s crucial for
