Line Editing for Parallelism
Line editing for parallelism sometimes requires being a line editor detective—solving the sentence-level issues to take a manuscript to the next level.
Editing Detective: Line Editing for Parallelism
As a line editor, sometimes the problems I catch are obvious (“Roy laghed at the joke”) but sometimes they’re not. Sometimes being a line editor is a little like being a detective, trying to figure out what’s going wrong in a sentence. Those are my favorite kinds of problems.
One of those subtle things that can go wrong at the sentence level and that I have to track down is parallelism. Parallelism, simply put, is the repetition of a grammatical structure: “I came, I saw, I conquered.” Pronoun + verb, pronoun + verb, pronoun + verb. This sentence would not be improved by adding other words: “I came, I looked around at things, then I conquered the place.”
Creating parallelism in a sentence can make an author’s prose sound smoother. Meaning (and even emotion) is created through the repetition of form. The reader sees how the ideas are connected.
Here’s an example of a sentence that is begging for parallelism:
James sat astride his chestnut horse, glaring at the scene of carnage, blood and fire and death.
Using the principle of parallelism we could edit that to:
James sat astride his chestnut horse, glaring at the scene of carnage and blood, fire and death.
Here’s another:
They found Stephen kneeling by the new cairn he’d built, not praying before it as the Sige sometimes prayed to their ancestors, but regarding it, as if deciding whether it were appropriately completed. Not too high and not too elaborate—there was no need to elevate a coward. But it could not be too low and haphazard, to insult a forebear.
This could be:
They found Stephen kneeling by the new cairn he’d built, not praying before it as the Sige sometimes prayed to their ancestors, but regarding it, as if deciding whether it were appropriately completed. Not too high and not too elaborate, to elevate a coward. But not too low and too haphazard, to insult a forebear.
And here’s one that stumped me for a bit because I knew something was wrong but didn’t spot the parallelism problem right away:
Washing my hands at the sink, trying to avoid getting my cast wet, I saw in the mirror that my skin seemed to both sag and stretch: to have sagged into new wrinkles yet stretched tight over bones.
Then I came up with:
Washing my hands at the sink, trying to avoid getting my cast wet, I saw in the mirror that my skin seemed to both sag and stretch: to have sagged into new wrinkles yet to be stretched tight over bones.
But I admit I am still pondering the possibilities of that one!
Practice is the best way to develop your editing detective skills to master line editing for parallelism.
Tips for Editors & Writers
-
When to Give Up
It’s time for my annual rebuttal against the clouded thinking that you hear in clichés like, “Many people quit just before they’re about to succeed!” When I read or hear something like this, I always wonder, “How on earth would you know that?” Starting and building a freelance editing business is hard. It requires a
-
Helping Authors Bring a Setting Alive
Authors often visualize their stories as if they were movies unreeling in front of them. This is unfortunate because it often means they focus heavily on the visual when the world of narrative offers so much more! Namely, the other four senses—sound, smell, taste, and touch. Using the FIVE Senses: Setting of a Novel Sight
