Once you’ve gotten some experience and are ready to find clients, you need to think about identifying your potential clients. Who is your audience of potential clients? It can’t be everyone who needs an editor because there is no way to find “everyone.” But there is a way to find, say, romance novelists. You can…
I’m often asked, “For beginning editors, do you recommend doing some edits for free to get a start?” To answer, I want to distinguish between a beginning editor who has no idea what they’re doing and needs to learn and a beginning editor who knows what they’re doing but doesn’t have a lot in the…
Setting expectations from the start helps keep the project you’re doing from becoming never-ending. If you agree to do one round of editing, that does not also include three hundred hours of personal coaching while the author is trying to finish the revision. So, you have to define the project parameters clearly. If one round…
A question I’m often asked is, “Authors can be confused by what kind of editing their manuscript needs. How do you handle that? Whenever an author reaches out to me, I ask them a bit about their past experience – have they published before, and if so, did they have a traditional publisher or did…
It’s important for editors to recognize that authors have different stages of ability: Most of our author clients are at Stage 1, 2, or 3, and how we shape the edit will depend on which it is. If we expect an author at Stage 1 to be able to spot their own errors, we aren’t…