Plot Twist!
The plot twist editorial query
From time to time, world events occur that make fiction editors look at each other and say, “We can never again tell our authors their plot events are implausible!”
And I smile along with everyone else. But of course it’s not true. “It really happened” has never been a measure of whether a particular event is plausible in a novel.
Even if an author is basing a novel on true-life events, readers still expect to see that plot events follow the laws of cause-and-effect, that significant plot twists are foreshadowed and don’t just drop out of nowhere, and that characters have goals that drive plot events.
It doesn’t matter if at the eleventh hour the author bought a winning lottery ticket and saved their house from foreclosure. Readers aren’t going to buy that happening in a novel – and they’re not going to consider it a satisfactory resolution to a novel.

A plot event has to seem true, as if it could happen, given the story world, the characters, and the theme.
There is life and then there is story. They are two different things. We want story to reflect or illuminate life in some way but story does not and should not imitate life, or we would all wander off by page thirty to find something good to read.
So, rest assured: no matter what happens in the world, you haven’t written your last editorial query suggesting the author rethink the plausibilty of a plot event!
Other Helpful Content
-
Showing Character through Testing
Authors often create characters who are perfectly suited for the story that is being told. The brilliant detective is put to the task of finding out whodunnit, the brilliant surgeon must operate on the life-threatening tumor, the brilliant commando must rescue the hostage. If these characters have suitable antagonists to oppose them, then enough conflict
-
Exploring versus Judging Character
One of the curious conundrums I’ve experienced as a book editor is encountering characters that the author clearly has contempt for but expects readers to be interested in engaging with. Contempt is as poisonous in writing as it is in relationships. The goal of the author should not be to judge character but to explore
Join the Club!
New to story editing? Begin at the beginning.


