The Secret to Success in Three Not-So-Easy Steps
- Do the work.
- Get feedback about the work.
- Do better work.
Join the Club!
New to story editing? Begin at the beginning.
Helping Authors Understand Character Development Authors often use character sketches to understand their characters better. They’ll haul out a template and fill in the blanks with descriptions of the character’s appearance, when they were born, where they went to school, who gave them their first kiss, and more. While some of these details can be…
There are two kinds of freelance editors: those who have pissed off a client and those who will piss off a client. It’s inevitable. No matter how competent you are, someday you’re going to have a client who’s unhappy with your work. This can feel awful, even soul-killing, the first time it happens. It can…
A common structural problem you’ll encounter in fiction development is ineffective scene construction: scenes that start before they should, drag on far too long, and don’t establish key information right away. A good scene includes the meat of a plot event – whether that event is an emotional discussion over coffee, a decision to take…
Fact-Checking in the Editorial Process Fact-checking is verifying that the information included in a ms is accurate: World War I took place in the early twentieth century, production of Hummers stopped in 2010. An author (even a novelist) who gets facts wrong irritates and alienates readers, so one of our roles as dev editor is…
A couple of weeks ago, I turned off notifications for one of my accounts. Then the other day I wondered why I wasn’t getting notifications. Was no one responding? I couldn’t figure it out. Then I investigated and I realized that people were responding, I just wasn’t getting notifications because I had turned the notifications…
When we’re editing novelists, much of our work is in evaluating the problems in the manuscript and suggesting possible revisions for the author to make. If Joe’s character motivation needs to be strengthened, we suggest ways that can be done but we don’t write the scenes where Joe’s motivation is established. That’s the author’s job….