Reading Books for a Living

I discourage editors from saying that our work is “reading books for a living” because that diminishes our expertise and experience. Editing is not reading books for a living; it’s understanding stories and storytelling techniques, cultivating judgment and discernment, practicing effective editorial methodologies and more. But some days, like today, I look around my office…

Happy Holidays!

Here in Spain they take Christmas very seriously, and so that’s what I’m doing, too. I’m taking time off to spend with family and friends. We’ll gather for a meal and a walk among the Christmas lights. Then I’ll read a good book before bed. (Perhaps next year I’ll say, “We take Christmas very seriously.”)…

Identifying Conflict Problems in a Manuscript

Conflict drives narrative, as I don’t need to tell you. But a problem with the conflict is probably the number one issue I see in the manuscripts I edit. Yet it can be difficult to identify conflict problems. Outside of the most formulaic of approaches, we don’t have a lot of rules about how the…

Fire Bad Clients

I often encourage freelance editors to work with corporate clients, such as book publishers and packagers, in order to provide a more stable workflow and better-paying work. Indie authors may be great fun to work with, but one author typically won’t come to you ten or fifteen times a year with more work, the way…

Plant the Seeds: A Marketing Analogy

I’m here in Málaga, Spain celebrating Thanksgiving, which isn’t a holiday here. But my daughter and I are celebrating anyway because for us this has always been a day for reflecting on what we’re thankful for. And this year? We’re thankful to be basking in the Spanish sunshine. Moving here took years of planning and…