Authors have a tendency to prefer focusing on character and/or plot at the expense of setting/world-building. (The exception is some SFF writers, who focus on setting and forget about plot and character.) So as editors we will often call that out and say something like, “Add a little description here. Otherwise it’s like Miles and…
Editors with some experience often come to me with concerns about sustaining their business. They’re usually in a particular niche, such as copyediting mystery fiction, and they’ve stalled in some way – they don’t have quite enough clients and they’re not making quite enough money. The Benefits – and Drawbacks – of Niches We know…
If you’ve been a developmental editor for any length of time, you’ve likely encountered an author who just wants you to write the book for them. Or, you’ve encountered a manuscript that was in such disrepair that it required a herculean effort to fix it, dropping your hourly rate down to pocket change. As a…
Publishing companies and literary agents often use readers to screen the manuscripts they receive to help them decide if a particular manuscript is worth further consideration. I’ve written a short, one-lesson self-paced class to show you the ins-and-outs of writing reader reports as a first reader or screener. The class covers: The class also includes…
I live in Spain, and while I’m working on my Spanish, I’m not yet fluent. The other day, my daughter and I went out to a cafe and ordered drinks and a slice of coconut cake for her. A few minutes later, the server came out and said something that I didn’t quite understand. Then…
The other day I finished an edit for a new-to-me publisher client and submitted my first invoice to the company as agreed. I was set up in their accounting system and paid by direct deposit the same day. That’s the sign of a client who cares about their freelancers. And it’s a good reminder that…
In discussing how to edit fiction, we’re trying to make explicit what narrative competence is—that is, what makes a story a good story. At the most basic level is the plot. And plot, at its most basic, is simply the story of change. There is an initial situation, some sort of challenge or reversal to…
When you’re editing for character development, one concern you should keep in mind is that even small changes have ripple effects throughout the entire manuscript. So any changes you suggest need to be important, or else you’re asking the author to do a lot of work for little reward. For example, sometimes I’ll see editors…
One concern that often holds newer editors back from offering coaching to writers is that they don’t know everything. But that shouldn’t stop you from dipping your toe into the coaching waters! Coaching for Accountability Coaching for accountability is a great fit for coaches working with writers, even new coaches. However, if you’re new at…
Getting clients for your coaching business is easier if you tell them what it is! Define your coaching services When I first began offering coaching to writer clients, I had copy on my website that said something like, “I offer coaching services for all aspects of writing and publishing.” If a potential client got in…