Editor’s Insight: Siobhán O’Brien Holmes

Siobhán is a freelance developmental editor who spends her life reading children’s books, watching scary films and drinking unicorn gin. She lives in Surrey, England, with her graphic designer husband and four-year-old son who wants to be a Pokémon when he grows up. Siobhan works directly with authors of middle grade and YA genre fiction, specialising in…

Where do freelance editors get work?

Where do freelance editors get work? Who is the market for freelance editors? If you’re interested in freelance editing, these are probably the top questions on your mind. The answer is that freelance editors work (1) directly with authors (usually called indie authors if they’re self-publishing) and (2) with publishing companies and book packagers. For…

How do you gain experience as a freelance editor?

It’s that age-old conundrum: if you don’t have editing experience and all the editing jobs require experience how do you get experience? First, and most important, almost any kind of job you have or have had almost certainly has transferrable skills if you think about it in the right way. So, for example, if you’re…

How do you become a freelance editor?

Editing, developmental editing in particular, is not an entry-level position, especially for a freelancer. You can’t just announce that you’re open for business and expect to do well and gain clients. To succeed, freelance editors typically need a bachelor’s degree in English, journalism, communications, or a related degree along with writing and editing experience. However,…

“Is the ms ready for editing?” is the wrong question to ask

Developmental editors frequently talk about how authors can decide when a ms is ready for professional editing. They make good points about fixing obvious errors before paying for an editor’s attention. I mean, if you know your ending is weak, why are you sending your manuscript to me? Fix the ending, then send the manuscript…

Using your Kindle for the First Read-Through

In developmental editing of fiction, most editors, including me, follow a three-part process: we do a first read-through, taking notes about problems we’ve encountered, then we do the main editorial pass(es), then we do a final review before returning the ms to the author/client. The first read-through is generally intended just to help you understand…