How to Edit: Less Is More

My best book editing tip is just three words: Less is more. The deliverables for a developmental edit are (1) an edited manuscript and (2) a revision letter. It doesn’t get any more basic than that!

developmental editing for fiction
Developmental Editing for Fiction, Class Package 1-6

Basics of Book Editing

Deliver an edited manuscript and a revision letter. That’s it.

Sometimes newer editors also add charts, spreadsheets, color coding, and map keys, which can feel unintegrated and overwhelming to the author receiving them. If you do the work of integrating your information into your edit, then the author doesn’t have to. The author can focus on revising according to your recommendations.

Certainly, some editors can have success with this scattershot approach, but usually, less is more. You don’t have to pile on graphics, spreadsheets, ancillary documents, and tables (and I would argue you generally shouldn’t) to perform an effective edit that the author can use to guide their revision.

If you are going to add spreadsheets and treasure maps, at least be sure your client understands you’re going to do it. When you deliver it, make sure the author understands how the moving parts work together.

But you’re probably overcomplicating it and making the author’s process harder rather than easier. The reason is simple: to produce a cohesive edit that doesn’t require more than an edited manuscript and a revision letter, you have to do a lot of work! You have to connect many dots and do a lot of thinking.

So when you add a lot of supplemental materials to an edit, sometimes, even (I would argue) often, this means you’re not creating a cohesive edit – you’re shifting at least some of the editorial burden back to the author.

“But I’m using the spreadsheet to show the author what to do in each chapter!” such editors sometimes say. But that’s what the editorial queries are for and what the overall revision letter describes. Don’t needlessly complicate the end product.

Over the years of teaching editing, I’ve learned to appreciate the beauty of a revision that runs six or seven pages (I used to say this was far too long for a revision letter). Now, I see how adding more examples and fuller explanations of problems helps my authors create excellent revisions. So sometimes, more is more!

But be sure that anything you add to an edit serves the author instead of yourself.


Tips for Editors & Writers

  • Why You’re Not Making It as a Freelance Editor

    As the main instructor at Club Ed, my goal isn’t just to help people learn the craft of editing but to help them learn how to run a freelance editing business. Running a freelance business is hard – I’ll be the first to say so. But there are some common reasons people don’t succeed, if

    Read more…

  • Where Do Freelance Editors Get Work?

    Where do freelance editors get work? Who is in the market for freelance editors? If you’re interested in freelance editing, these are probably the top questions on your mind. The Two Main Categories of Freelance Clients The answer is that freelance editors work (1) directly with authors (usually called indie authors if they’re self-publishing) and

    Read more…

  • When to Give Up

    It’s time for my annual rebuttal against the clouded thinking that you hear in clichés like, “Many people quit just before they’re about to succeed!” When I read or hear something like this, I always wonder, “How on earth would you know that?” Starting and building a freelance editing business is hard. It requires a

    Read more…

Join the Club!

how to become an editor

New to story editing? Begin at the beginning.

Similar Posts