Being the solution

Editors sometimes focus on selling services (“I copyedit fiction, particularly genre fiction like romance and mystery”) and there’s nothing wrong with that if your clients know what you mean. For example, if you’re pitching book publishers or packagers, they don’t need to be told that copyediting includes making sure a manuscript adheres to house style….

The most important question to ask when identifying a potential clientele

Editors who are just starting out or who are moving in new directions usually have an idea in mind of the work they want to do. Often this starts out as a very broad concept: they want to help novelists write better stories. Then they realize this is too broad – where do you find…

The teaching skills developmental editors need

I’ve taught adult learners for over twenty years and I’ve devoted considerable time to thinking about and exploring what goes into effective instruction. One of the challenges with teaching is that just because you’re good at a particular skill—whether it’s basketball or oil painting—that doesn’t mean you automatically know how to convey the information effectively….

How your colleagues can help you get work

For editors interested in getting freelance work from book publishers and packagers, a crucial resource is your colleagues. I don’t mean you should pester random acquaintances to ask their publisher clients to hire you. I do mean you should: Ask what they did to land their first publisher/packager client. While a freelance editor is probably…

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Using Book Reviews to Practice Developmental Editing

To get better at developmental editing you have to do developmental editing! But it’s not always easy to figure out how to go about that. Previously I’ve talked about being a beta reader as a way to gain practice as a DE. And, the self-paced Naked Editing class allows you to follow along as an…