The setting of a novel consists of multiple elements, big and small, that nest inside each other like those little Russian dolls. We might show this hierarchy of settings like so: If you think about it, the micro setting of “the living room of 601 San Mateo Road Apartment 16” implies the existence of all…
World-building is often seen as the province of science fiction and fantasy writers who have to convey new-to-us settings and cultures, and occasionally by historical writers who have to convey the feel of an era that a reader may not know much about. But every story takes place somewhere. Even stories set in a contemporary…
Authors have a tendency to prefer focusing on character and/or plot at the expense of setting/world-building. (The exception is some SFF writers, who focus on setting and forget about plot and character.) So as editors we will often call that out and say something like, “Add a little description here. Otherwise it’s like Miles and…
Writers often use setting like a painted backdrop to their stories, rather than as an integral element of their storytelling. As DEs, we can help them make the setting come to life. If we think of Wuthering Heights, we think of the Yorkshire moors. When we think of Moby Dick, it’s a whaler on the…
Using all five senses in creating a scene will make it more vivid. Here are tips for helping authors use the five senses in the setting of a book rather than relying solely on visual descriptions. How to Use the 5 Senses When Writing the Setting of a Book Authors often visualize their stories as…
After working with many authors, I have learned a crucial world-building tip for authors. World-building is a particular challenge in science fiction and fantasy, where the author has to balance the need to keep the plot moving with the need to give the reader a sense of context and direction in the wholly made-up world…
A question newer editors often ask is, “How can I edit a manuscript and suggest solutions to problems without turning my recommendations into ‘here’s how I would write it’?” And I have a lot of advice about that, including understanding editorial methodologies and frameworks, but my main piece of guidance is to use what’s already…