Helping Authors Bring a Setting Alive
Authors often visualize their stories as if they were movies unreeling in front of them. This is unfortunate because it often means they focus heavily on the visual when the world of narrative offers so much more!
Namely, the other four senses—sound, smell, taste, and touch.
Using the FIVE Senses: Setting of a Novel
Sight alone does not make a reader feel immersed in a story. When authors do this, the setting often feels as if it were merely a backdrop to the unfolding story events and not an actual place where the characters interact.
My basic rule of thumb, and a place to start, is that every page of the manuscript should have a sense other than sight on it. Bells should jingle, and trash cans reek. The skin should prickle, and mouths should pucker.
Often, the challenge is that authors lack the vocabulary or language of the senses, so it can be helpful to provide resources for them. WritersWrite.co.za has some great resources on describing all five senses. Here’s one.
We can also encourage the author to show the characters reacting to their senses: “The stench of putrefying flesh turned my stomach” versus “It smelled disgusting.” This is a matter of showing the character in the setting, not just posing in front of it.
Tips for Editors & Writers
-
Novels Aren’t Movies
I encounter a lot of novelists and fiction editors who use movies as examples of various storytelling techniques they want to discuss. I understand this impulse: it is easier to assume that everyone has seen The Matrix or can easily find the two hours to sit through it than it is to assume that everyone…
-
Work Effectively, Not Excessively
The other day I came across a social media post from an email marketer who said you would outwork 90 percent of your competition just by showing up every day! I nearly sprained my eyeballs from rolling them so hard. If you can outwork your competition just by showing up, you are dealing with very…
