|

How long does querying take?

Writer Question: Exactly how long does querying take?

I’m often asked how long it takes to hear back from editors or agents. Maybe a writer has an agent who has submitted a proposal or a manuscript, and she’s biting her nails waiting to hear back, or she’s submitted the full manuscript of her novel at an agent’s request and is wondering how long it will take to hear a yes or no.

I understand how hard it is to be patient; I am as neurotic as the next writer. What writers want me to tell them is “six days.” Or forty-three, or nineteen, or even one-hundred-seventy-six, as long as I promise they will hear back by then.

It’s the uncertainty they object to, not the elapsed time. Which is why no one ever wants to hear my answer, which is: “It depends.”

how long does querying take

It depends…

Asking, “How long does it take to hear from an editor/agent?” is like asking, “How long is a piece of string?” I can tell you that no usually comes faster than yes, so be careful what you wish for.

I can tell you that editors with more seniority generally respond faster because they have to do less hoop-jumping to make an offer and are more likely to know if something is going to get past the acquisitions committee.

By the same token, some agents and agencies have more clout, and editors will respond more quickly to submissions from them.

Projects that have huge commercial appeal will go faster than projects of less commercial appeal or with non-celebrity writers.

Other than that, it depends on how strongly the editor feels about the project, how much buy-in she needs to get from others to make it fly, how full her list is (not to mention her workload), who’s on vacation, and even how well another book on a similar topic is doing.

You may get an offer in a few days or weeks (I’ve had that happen). You may get an offer after many months (Ditto). You may never get an offer. You may never even hear back.

So instead of worrying about “when,” accept that it will be seven months from now, be pleasantly surprised when it isn’t, and get to work on your next project.


Other Helpful Content

  • Editor Insight: Shauna McIntyre

    I’ve been talking with newer and more established freelance editors about how they find clients and deal with ups and downs in freelancing. This week’s editor is Shauna McIntyre. Here’s our Q&A: How long have you been freelancing as an editor? I’ve been freelance editing and writing on and off for almost twenty years but…

    Read more…

  • What Is a Story Arc?

    As a developmental editor, you need to be able to help authors understand where their plots are falling down. This means you need to trace the story arc. What is a story arc? It’s what happens in a story and why it happens. The Details: What Is a Story Arc Exactly? Of course, the what…

    Read more…

  • Editor Insight: Sam Keir

    I’ve been talking with newer and more established freelance editors about how they find clients and deal with ups and downs in freelancing. This week’s editor is Sam Keir, who notes that he’s worked with words since 2013, “in various roles of editor, educator (secondary and tertiary), and author, but which one or three depends…

    Read more…

Join the Club!

New to story editing? Begin at the beginning.

Similar Posts