The Concierge (Blog)

Discovery drafts are typically the first draft of a novel that an author uses to explore the story they’re writing, whether the story has been prompted by a situation, a setting, a character, or a theme. The discovery draft typically includes stops and starts, directions the story could take but doesn’t, characters that fade in…

When you’re editing for character development, keep in mind that even small changes have ripple effects throughout the entire manuscript. So any changes you suggest need to be important, or else you’re asking the author to do a lot of work for little reward. For example, sometimes I’ll see editors suggest things like, “Hey, you…

Because writing a novel manuscript takes place over a long period of time, character inconsistencies can crop up. Maybe in Chapter 1 the author says that Joe has never been in trouble with the law but in Chapter 12 he has a history as a felon. As the editor it can sometimes seem puzzling to…

A fiction editor looks for specific concerns in a manuscript. The following checklist can help you understand the basic story problems you may encounter as developmental editor. #1 Is this a type of genre fiction? If so, does it conform to genre requirements/expectations? If it is genre fiction but does not conform to expectations, is…

My daughter likes the idea of dogs more than she actually likes the reality of them, sort of like me and home ownership. So we both enjoy these things safely at a distance. “What a cute house!” I say as I walk on by. “What a cute dog!” she says as she walks on by….

As editors, we need to understand the connection between character and plot and how to support authors in developing this relationship effectively. Causes of Implausible Plot Events A common problem you’ll come across when editing fiction is a situation where characters are shoved around like chess pieces. Margie the protagonist winds up slapping her best…

I’ve heard developmental editors talk about “sensing” that a story isn’t working, even going so far to say that “sensing” problems is their job. And sensing that something is going wrong is a useful skill for a developmental editor to have—all of us do, to one degree or another. But developmental editing isn’t about “sensing”…

Authors often struggle to create compelling plots. They try to hit plot points (“turning point” “black moment” and so on) but without a solid sense of how structure works, their stories can feel formulaic and lifeless. It helps if you understand story patterns so that you can see where the story might be getting off…

As freelancers, we have a tendency to think that we’re in competition with all other editors and (especially if you’re active on social media and see how many other editors there are in the world) that can feel overwhelming. But we’re actually not in competition with everyone else who calls themselves an editor. Case in…