2 Biggest Publishing Mistakes Writers Make
Let’s talk about the two biggest publishing mistakes writers make. I see these over and over again. Are you making these mistakes?
Publish Mistakes Writers Make: The 2 Biggest
In my many years as a book author, agent, and editor, I’ve met thousands of writers, professional and aspiring, and it has struck me that we tend to do one of these two things, neither of which is in our best interest:
- We don’t put our work out into the world. We’re waiting for some future moment when all will be perfect with the work and ourselves. That time will never come, but knowing that doesn’t stop us from waiting.
- We put our work out into the world before it’s ready. By this I mean taking shortcuts to get our work out into the world. Thinking, “This is wonderful and ready!” and hitting send and then finding out that no one agrees with you is one thing. Thinking, “Eh, close enough” and hitting send is another.

I see this happening when people decide to self-publish as a way to avoid the hard work of learning how to be a good writer. For them, self-publishing becomes a shortcut to having their name on a book, not a considered strategy for making good work available to an audience. In a similar way, some writers use AI as a shortcut. If all you want is your name on a book, I guess that works. But most of us want more.
Taking a shortcut because otherwise you will have to spend time getting better at the work does you no good in the long run. If you’re trying to be a good writer, or a good anything, then you need to be aware of the trap of the shortcut.
It isn’t only in self-publishing where I see this mistake. I cannot count the number of people who are dissatisfied with their current agents (and for very good reasons, not just the usual angst over the advance should have been huger) but who don’t do anything about it because then they would have to find another agent.
Not only would that mean time spend trying to find one, but maybe they would have to step up their work a notch to catch someone’s eye. It’s easier to stick with the status quo.
Or nonfiction writers who think hiring a publicist will get them out of the work of building a platform and doing publicity (I think publicists are great, but hiring one doesn’t mean your work as an author is done).
Avoiding Shortcuts Can Help Avoid These Mistakes
The simple truth is avoiding shortcuts is likely to help avoid these publishing mistakes writers make.
I struggle with the temptation to take shortcuts myself, a lot more than I would like to admit. In the end, I have learned to ask myself the key question: “Am I considering this because it’s easy or because it’s the right thing for my work?”
Tips for Editors & Writers
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Focusing on What You Can Control
Every now and then a topic comes up that gets a fair amount of discussion in freelance editor groups. One of these is the question of authors thanking their editors in the acknowledgments section of their book. And there are a lot of editors out there trying to convince indie authors that they have to
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How Risky Is Freelancing?
In the interest of full disclosure, I have to point out that I’m the kind of person who has an optimistic view of the nature of risk, which is why I’m not a financial advisor and you wouldn’t want me to be. But I also think we are too certain that some actions are “safe”
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How to Get Experience in Order to Freelance Edit for Publishers
I’ll get to the sad truth right away: to be considered for freelance editing work for traditional publishing companies and related organizations (hybrid publishers, book packagers), you need to have experience. And so the age-old conundrum rears its head: how do you get experience if you need experience to get experience? Three things can help
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