How to Read Like an Editor

Book development editors don’t read books the way readers do. To sharpen your developmental editing skills, you need to learn to read like an editor does (instead of the way a reader does). When you’re a reader, you enter the author’s world. You willingly suspend your disbelief in order to experience this world. That doesn’t…

Story Editing as a Second Career

When I teach developmental editing classes, I get a lot of students transitioning from other careers. They’re often lawyers, social workers, and teachers – though I’ve also taught actors, accountants, and engineers, among others. What they have in common is that they love stories and want to explore whether book editing (story editing/developmental editing) is…

Reading Books for a Living

I discourage editors from saying that our work is “reading books for a living” because that diminishes our expertise and experience. Editing is not reading books for a living; it’s understanding stories and storytelling techniques, cultivating judgment and discernment, practicing effective editorial methodologies and more. But some days, like today, I look around my office…

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Story Editing for Teachers and Other Job Changers

Most Club Ed students are moving to story editing (also known as book editing or developmental editing) from other careers. Right now, I’m seeing a lot of teachers making the transition – they’ve either quit their jobs and are looking for the next thing or they’re planning to quit their jobs soon. And I don’t…

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Dipping Your Toe into Developmental Editing

One of the best ways to dip your toe into the developmental editing waters is by beta reading. This is basically reading a manuscript and responding to it: where you were confused, where you lost interest, what character you enjoyed the most. How to Beta Read When you’re doing a beta read, you’re not trying…